Wednesday, December 28, 2011

Boundaries

It was after their fourth or fifth time together that Nathan told Sarah, “I love you”. To be more precise, he said, “I think I love you”. He was sitting on her bed, pulling on his briefs. She was standing by the sink, naked, brushing her teeth. “You shouldn’t love me” she said. “Why not?, he asked. “Because to me love means fucking one guy in the morning, then another guy in the afternoon, in order to pour all the life from the second fuck into the first guy when you fuck him again the next morning”. “You’re crazy”, he said. “Of course I am. You wouldn’t love me if I were whole.” At that moment, her back, a sea of soft white, became hard and black, like burnt charcoal. “There’s such a thing as too much honesty in a relationship”, he said. “I didn’t know we had a relationship”, she replied. At that moment, they both knew it would be their last night together. He decided to fuck her hard until morning.

In the morning, they had breakfast together. The TV was on. They watched the news. “This was fun”, Sarah said, but Nathan smiled sheepishly when he closed the door, which she bolted behind him. She walked to the table and deleted his number from her phone. Then she lay down on her bed and cried. “I’m such a stereotype”, she thought, as she willed herself to fall asleep. The breakfast coffee had done its work though, and her consciousness refused to surrender. So she reluctantly sat up, then stood, and walked to the closet to pull on a sweater. There was much to be done that day: calls to be answered, research to be done for a paper she was to present at a women’s conference in Georgia…and then there was poor Mitch. Lately, she’d been so busy screwing Nathan that she’d completely neglected their relationship. So she picked up the phone. “Hey Mitch”, she asked, “want to come over for dinner?”. “Sure”.

They got halfway through the main course before Mitch cleared his throat and asked, “How are things going with Nathan?”.

Sarah laughed. “You can guess by my silence”, she said.

“So you broke up? He was a bum.”

“You’re just saying that to be nice.” she said.

He shrugged. “Hey, that’s what friends are for, right? Please pass the wine. By the way, the chicken is excellent.”

“Thank you”.

He knew that cooking, or rather, the quality of her cooking, was important to her– she was always trying to one-up her mother. Suddenly he realized that was oedipal. He shuddered. “What?” she asked. “What do you meant what?” “You just made a face”. “I was thinking about Freud”, he said. “Ah. I see”, she replied. She was always teasing him that it was because he was crazy that he wanted to become a therapist. He never argued, because he wasn’t certain she was wrong.

Afterwards, sitting on the couch, wine-glasses in hand, cake on the coffee-table, their talk turned to romance. Mitch had not been having much luck lately in that department. “I just don’t know what women want”, he complained, “When I share my emotions, they tell me I’m too soft. When I hide them, they tell me I’m too hard.” She giggled. “Sorry.” She patted him on the arm. “You’re just too good for them Mitch – besides, women are crazy; everyone knows that!” He snorted. “Some great feminist you are”. “I’m a woman. It’s ok for me to be sexist.” He laughed. It was nearly 1 am. “I should go”, he said. “Sure”, she replied, and he knew she was dreading sleeping alone that night. He knew because she had told him, two boyfriends ago, that that was the hardest part of any breakup. “Sleeping alone gives me insomnia”, she had said. He had told her to see a therapist. She hadn’t laughed.

“Thanks for coming over”.

“This was nice. We should hang out again when I get back from my borderline personality conference in Texas”.

“Sure. Call me.”

He did. They went out for pizza. Afterward, she asked him to come back to her place so she could show him a poem she had written; Mitch had worked for a famous literary magazine in his three years between college and grad school, so she respected his opinion.

So he read:

Let me lure you into the liminalities of my body, the forest-strewn borders of my thighs: A lion roars between these two freckles. Here, a monkey sticks his hands in the openings of a lover. Flowers with purple petals wilt over grass surrounded by pine-trees. Pine-trees – is that too phallic? No matter, we can start over: That is the beauty of borders, their snaking softness of unknown – In this jungle, we can forget the tundras we have crossed, axe-in-hand, to get to this new world in which your tongue crawls into my crevices, and your hands whisper words your teeth have forgotten. You may need a passport: Here, let me dot your arms with the ink of my kisses; Now sign my breasts, please. In order to get to the valley, you must cross the mountains. Mountains – is that also phallic? No, mountains double like the soul of a woman, or like your thighs. I am running out of words to put on this brochure. If I leave, you will not get a postcard. I hear that my cunt grows some awesome fruit. Take a bite, and try.

“Well?”

“I hate the word “liminalities”.

She rolled her eyes. “And?”

“And it’s good – it’s very good.”

“You’re not just saying that?”

“No, I’m not just saying that. I’m a guy –I’m honest, remember?”

She laughed. The football game was on, so they cracked open some beers.

“I always wanted to go to a sports-bar and do guy things”, she said.

“Guy things?”

“Yeah, you know – like checking out girls and making rude comments, and belching really loudly”.

“None of the guys I know do that.”

She shrugged.

“No, I mean really – which guys actually do that?”

She thought for a minute and said, “Guys from Long Island”.

He laughed. “You’re so lucky I’m a New Yorker, so I get that.”

“Yeah, it’s why we’re friends”.

“I thought you were friends with me for my charm”.

“No, actually, for your modesty.”

He laughed.

Afterwards they were silent for a while, except for the occasional groan related to the Jets’ performance.

Then, during halftime, she suddenly said, “I tend to collect broken men like stranded puppies”.

“I know – it’s why I could never date you.”

“What do you mean?”

“Because then I’d be proving to myself that I’m broken, or stranded – or both.”

“But whether you prove it to yourself or not, that doesn’t change the truth”.

He shrugged. She leaned over, slowly picked up the beer can, and sipped it the way one would sip a glass of hot tea.

“Actually I could date you, I just couldn’t fuck you”.

She laughed. “Why not? Some men find me quite attractive, you know”.

“It’s because you use words like “liminalities””, he teased.

She laughed, but he didn’t kiss her that night – it would have ruined the effect.

He did not even kiss her on the night they watched Frida, and he let his hand roam the lengths of her body. It was cold, and she was wearing a sweatshirt. They had both drunk a bit too much wine. He started gently, stroking her back. She breathed like she was having an orgasm. She was not wearing a bra, and he could feel her softness, juxtaposed with the hardness of her nipples. “That’s what’s essential in every good work of art”, he thought, ”contrast”.

It was only the third time, right before he said goodnight, that he allowed his lips to skim hers, but she sucked him in, slowly, and he was melting into the wet vortex of Being. His consciousness was floating on some fourth plane that can only be charted by those who have loved.

The next day, he asked her, “Do you believe in love?”.

“I don’t know”, she said, “do you?”.

“I don’t know”.

They laughed. She popped in the DVD and fell back on the couch. He held her hand. It was rough, dry, and desperately in need of moisturizer, but he kept on holding.

Wednesday, December 21, 2011

A Tranny Called Wanda


You don't have a lover, she asks?
No.
She streaks the red lipstick across her lips, squinting at her face in the mirror. Then who keeps you company?
My unwanted desires.
But that can not leave you - she pauses, flourishing the lipstick and shaking her breasts - satisfied.
It doesn't, she says, and she thinks, you kissed me last night, you fucking kissed me, and I sucked the skin in between the bones of your rib-cage like my father sucks his steak.
Men are the best pills for insomnia. She puts down the lipstick. They are also the best antidepressants.
You kissed me. You fucking kissed me. Cunt. Whore.
She smiles. Ready. Want to go out for coffee? Also, there's a new book I want to buy.

She thinks of her mother saying to her father, "You kill me with your silences". Her mother was holding a steak knife; the half-eaten red meat sat between them.
Raw.
What is that you said?
Raw. I was thinking of the weather.
Mmm.

They are already out the door, which locks firmly behind them - one of those automatic locks, for they live in a neighborhood marked by hookers: They live on Wanda street, named after the tranny Mama who likes purple eyeliner.

Who do you like better, they once asked, the men or the women?
Honey, at least men are silent. Women? They're some of the noisiest love-makers I've ever seen.

Men aren't silent with me, she whispered, and for a second, you thought she was going to hold your hand, but then she reached into her pocket and pulled out a cigarette. No, you thought, I'm not silent either. But you were silent that night, with your mother, with the steak knife.

What was there to say?

No quotation marks tonight: Joyce didn't always use em. Also, listened to too much Cher.

You don't have a lover, she asked?
No.
She streaked the red lipstick across her lips, squinting at her face in the mirror.
Then who keeps you company?
My unwanted desires.
But that can not leave you - she paused, flourishing the lipstick and shaking her breasts - satisfied.
It doesn't, she says, and she thinks, you kissed me last night, you fucking kissed me, and I sucked the skin in between the bones of your rib-cage like my father sucks his steak.
Men are the best pills for insomnia. She puts down the lipstick. They are also the best antidepressants.
You kissed me. You fucking kissed me. Cunt. Whore.
She smiled. Ready. Want to go out for coffee? Also, there is a new book I want to buy.
She thinks of her mother saying to her father, "You kill me with your silences". Her mother was holding a steak knife, and the half-eaten red meat sat between them.
Raw.
What is that you said?
Raw. I was thinking of the weather.
Mmm.
They are already out the door, which locks firmly behind them - one of those automatic locks, for they live in a neighborhood marked by hookers: They live on Wanda street, named after the tranny Mama who likes purple eyeliner.
Who do you like better, they once asked, the men or the women?
Honey, at least men are silent. Women? They're some of the noisiest love-makers I've ever seen.
Men aren't silent with me, she whispered, and for a second, you thought she was going to hold your hand, but then she reached into her pocket and pulled out a cigarette. No, you thought, I'm not silent either. But you were silent that night, with your mother, with the steak knife. What was there to say?
You have become silent like a man, your mother said.
Fuck you, you think, I could suck the skin between your bones like a piece of thigh - your favorite part of the chicken, my favorite part of a woman - and a man, I suppose, when I can catch them. But they are tiny and slippery, like flies. If only I were a frog, beautiful and green, and unrelated to the human who stands before me.
Another thought to keep you company when you can not fall asleep.

Sunday, December 18, 2011

Brush-strokes

Remember, she said, the mind is like a machine, and you must always use it.
Yes, let me become efficient, like your stockings.
Fuck you.
I can fuck you.
Don't come nearer. We haven't fucked in ages. Why is that? I'm not letting you until I have an - no, no, stop.
All right.
Her hand rested on the top of the thickset gray that had now fallen to halfway between her knees and her thighs.
Pantyhose.
What?
Those aren't stockings, they're panty-hose. Stockings are held up by a garter.
That's sexy.
Laughter.

They were both on the floor, laughing, when he walked in.
What's so funny?
Nothing.
He nodded, and went on to the kitchen to grab himself a coke from the fridge.

Women.

Friday, December 16, 2011

According to Talmud Brachot, if you cite your sources, you bring redemption to the world. This means I'm a redeemer, which means I am Christ. Yay!

I've been reading a bio of Clarice Lispector, a Brazilian Jewish author. The bio is by Benjamin Moser. It is good and contains many lengthy excerpts of her work, being part psychological analysis, part literary analysis, sociology and history lesson, as well as a life narrative. I feel like this has influenced my writing this week.

Here is a link to the bio: http://www.amazon.com/Why-This-World-Biography-Lispector/dp/019538556X/ref=sr_1_1?s=books&ie=UTF8&qid=1324028708&sr=1-1

Let me

Let me write you a poem. Let me fill it with blueberries, soft-scented skin, and toes skimming the grass. Let me add a few kisses, and a really nice ass. Let me add the slow distancing of each other's bodies: Two faces lie apart on a wet white pillow. A cool breeze flows in through a half-open window, stars almost discernible between the blind's wides slats. One of the faces is crowned in red hair; the other bejeweled in tears. I might throw in a cliche, like "the sum of my fears" - or a bad rhyme scheme. Everything seems better in rhyme - that's why I write breakup poems. I don't want you to get the wrong idea of course - I could still shroud myself in the silences of your body, or sniff your sweat like a cocaine addict sniffing white powder - but tonight, let me merely poeticize the prose of our feelings, that once were songs. And pretend that coining neologisms makes me as brilliant as Shakespeare. Wait, poeticize is in the Merriam-Webster dictionary? Damn.

Monday, December 12, 2011

Tonight

I was going to share a poem tonight - I wrote it about how much you hurt me. Then I knew our relationships was over, because I no longer trusted you enough to let you see my words. I wish that we could fly back to a time when I longed for your embraces, when your laughter ignited my own, when I basked in your presence. Now we sit across from the table in silence. Sometimes you chatter and I grit my teeth, forcing myself not to yell in order to releive myself from the sound of your voice. Tonight, tonight what - don't I still need you, in a way so much more fleeting than the way you need me? Tomorrow, will we really go our separate ways? Each time you break me, you break me a little more. Is tonight then, the moment when the crystalline peices will shatter? Shall I pick myself up in my translucence, trying to dance in a way that captures the light? But I have become black and absorbent, like the night's wind. If only I could have escaped by one hour - but no, I had made my promises. Already, I feel the slight sensation of wanting to know that you love me, but I still remember the morning, when I was six, when you told me I was no longer your sugarplum, I was no longer sweet - and you kept your promise. You never called me that again. You told me you would love me unconditionally, but I know that you lied. I am sick of accusing you; the Inquisition was stopped for a reason. So go, live in your ignorance, but first strike the chains that lie between us.

The Temple of Loneliness

Everyday I annoint myself with oil, smelling of myhrr and cinnamon. On Thursdays, they let us mix in jasmine and a little bit of honey. Fridays are consecrated to rose water. Every night, I wait for you not to come. I relish the taste of your non-presence on my tongue. I feel the white silk sheets flow between my legs, allow them to caress my breasts and thighs. I wait for your silence and imagine you climbing a window whose trellis is crowned by a green plant that is not quite beautiful. In your left hand, you clutch a bunch of oranges. You right hand grips the trellis like the hair of a lover. She is sitting on her bed, her blonde hair falling onto the white sheets. She laughs, balancing a guitar on her lap. The dark brown walls frame her body. They tell me that soon I might be promoted - they might make me a preistess, even. They might dip my body in vinegar, murmuring words in a language I do not understand, daring me to hug them. You must not touch them, must not inhale the lavender scent of their bodies, must not encounter their water-textured skin. It is rumored that their lips taste like cherries. When I am a priestess, I want my tongue to taste like strawberries. Then I will lie at night, on a bigger bed, soaked in the blood of flowers, fading like a soundwave into your thundering Silence.

Tuesday, December 6, 2011

Numbers

The numbers represent chronological order, not order of preference, and just because something is most recent doesn't mean I like it most or least. Right now I'm leaning towards anger 3, though all these are works in progress.

I also feel sweat-stains are usually smaller than hands, but somehow find the idea of the sweat-stain being larger than the hand to be more appealing, artistically, and figure it is a small enough suspencion of so-called reality that readers will forgive me - also, while unlikely, it is technically possible.

Anger 4

I have learned to swallow your fear;
every day I grow slightly more swollen
with the bitterness of abandoned dreams that you spit out
like saliva, a wet kiss I sip with my cup of coffee.

I have learned not to retain the sodium of our kisses,
to spit out the salt of desire that once slept
in the space between my tongue and my teeth.

I do not sleep anymore.

My belly aches with caffenaited anger the color of your hair -
burnt chestnut, a dye-worthy shade.

I have learned to swallow your fear,
but I have not yet learned how to swallow my words -

let me gag them now, onto this paper,
and hope it leaves a stain on the cuffs of your dignity,
slightly smaller than the stain of your sweat upon my yet-to-be-laundered sheets -
slightly bigger than your hand upon my thigh.

Anger 3 - yes, I can be obsessive at times

I have learned to swallow your fear;
every day I grow slightly more swollen
with the bitterness of abandoned dreams that you spit out
like saliva, a wet kiss I sip with my cup of coffee.

I have learned not to retain the sodium of our kisses,
to spit out the salt of desire that once slept
in the space between my tongue and my teeth.

I do not sleep anymore.

My belly aches with caffenaited anger the color of your hair -
burnt chestnut, a dye-worthy shade.

I have learned to swallow your fear,
but I have not yet learned how to swallow my words -

let me gag them now, onto this paper,
and hope it leaves a stain on the cuffs of your dignity,
slightly smaller than the stain of your sweat upon my yet-to-be-laundered sheets -
slightly bigger than the mark of your hand upon my thigh.

Anger 2

I have learned to swallow your fear;
every day I grow slightly more swollen
with the bitterness of abandoned dreams that you spit out
like saliva, a wet kiss I sip with my cup of coffee.

I have learned not to retain the sodium of our kisses,
to spit out the salt of desire that once slept
in the space between my tongue and my teeth.

I do not sleep anymore.

My belly aches with caffenaited anger the color of your hair -
burnt chestnut, a dye-worthy shade.

I have learned to swallow your fear,
but I have not yet learned how to swallow my words -

let me gag them now, onto this paper,
and hope it leaves a stain on the cuffs of your dignity,
a slight scent of shame on your thighs.

Creative Process

Because I'm pretty sure when I started this it was supposed to blog my "creative process" (whatever the heck that means), here are my edits from the just posted poem:

I roam the hallways of the internet, rubbing my belly
that aches from anger and coffee

- "Nothing like giving a bitch a good belly rub",
you said, your hands stroking the puppy

you always rubbed the bitches' bellies
when we saw dogs on the street - afterwards, your hands smelled of dog drool

rubbing my belly
like a pregnant woman, knowing that in the morning
I will not feel the future of our relationships slip out between my thighs,

waiting to see
the not-living creature that will slip out from between

for my water to break,

Anger

I have learned to swallow your fear;
every day I grow slightly more swollen
with the bitterness of abandoned dreams that you spit out
like saliva, a wet kiss I sip with my cup of coffee.

I have learned not to retain the sodium of our kisses,
to spit out the salt of desire that once slept
in the space between my tongue and my teeth.

I do not sleep anymore.

My belly aches with caffenaited anger the color of your hair -
burnt chestnut, a dye-worthy shade.

I have learned to swallow your anger,
but I have not yet learned how to swallow my words -

let me gag them now, onto this paper,
and hope it leaves a stain on the cuffs of your dignity,
slightly smaller than the stain of your sweat upon my yet-to-be-laundered sheets -
slightly bigger than the mark of your hand upon my thigh.

Monday, December 5, 2011

Rivkah speaks to Yitzhak

Genesisl 25:21: כא וַיֶּעְתַּר יִצְחָק לַיהוָה לְנֹכַח אִשְׁתּוֹ, כִּי עֲקָרָה הִוא; וַיֵּעָתֶר לוֹ יְהוָה, וַתַּהַר רִבְקָה אִשְׁתּוֹ. And Isaac entreated the LORD for his wife, because she was barren; and the LORD let Himself be entreated of him, and Rebekah his wife conceived.

The wind is cold between us; flames' shadows
paint the wall, and I remember the red when I bound you to my thighs.

Your arms were soft, silk chords to bind me to our bed.
Your lips tasted of cinnamon, on the night when I bound you to my thighs.

You tasted the dust, when he bound you to a bed of shadows -
I could taste the dirt on the skin around your neck, when I bound you to my thighs -

You told me I tasted of persimmons -hard and cold, like this wind
that hovers between us, now that I no longer bind you to my thighs.

Your lips kiss words I do not understand - you tell me you feel His presence,
hovering like a lover, waiting to bind you to His mercy -

Years ago, you kissed dust as your father's arms bound you
like the silk of our bed, and there He bound you to His mercy -

your first lover, an imageless God who binds me to you,
even now, when you have become unbound from my thighs,

and my body grows drier than these dratted desert breezes,
because you have become unbound from my thighs.